片名：痴心女子负心郎
别名：痴心女子负心郎免费在线播放
电影类别:剧情片
连载状态：完结
发行年份：1948
首映地区：美国
导演：刘易斯·艾伦
演员：雷·米兰德,安·托德,杰拉丁·菲茨杰拉德
更新时间：2024-05-13 18:50
《痴心女子负心郎》值得看吗,有哪些看点?
引言：《痴心女子负心郎》这部剧情片全程高能，《痴心女子负心郎》播出后立马收获了一大批忠实剧迷，这部剧也成为了雷·米兰德,安·托德,杰拉丁·菲茨杰拉德的成名作。就小编来看，《痴心女子负心郎》这是一部非常值得大家去追的剧情片。《痴心女子负心郎》这部剧情片以生动的人物形象和极尽细节的刻画，《痴心女子负心郎》看点一、前期剧情不错，剧情节奏不拖沓。《痴心女子负心郎》看点二、《痴心女子负心郎》拼的是高度还原与纪实。
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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